In my last post I showed a variation on caging large beads with beaded components. Here's another one.
Why? Because no beader can ever bead just one version of something, they have to bead more. Part of this is the fever of acquisition. You get into the moment of learning something new with cool colors and embellishments and suddenly you have to have a stash of beads to create more with them right now. In the old days you went to the craft store or waited impatiently for the newest bead catalogue to arrive (which some companies made you buy, can you believe that?).
The internet has had a deplorably enabling effect on this impulse, which has contributed to the beggared state of my bank account. But what a thrill to acquire shiny new beads, and accent beads to go with, maybe books and patterns, and before you know it, you have created a new classification in the Dewey Decimal system of your bead room. Mine is more of a Demented Decimal system, but, like my office at work, I know where everything is.
So, having figured out how to cage my large beads between beaded components, I wanted more large beads. I found these faceted turquoise-colored beads at a bead show and have a feeling I was probably overcharged for them, but I loved the color and, well, bead show: the beading equivalent of an opium den.
Nice color, eh? And these photos definitely do not do it justice.
I again used Aleta Ford Baker’s “Indespiral” pattern for the strap, and you can find her tutorial here.
Here’s a close up of the strap join:
Next time: So what else can I do with all these big beads I bought?